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Home » Hair Highlighting » Home Hair Highlight Tips

Highlighting Process

Products Used In Highlighting:

.Color
.Bleach/lighteners
.New technology products designed for specific highlighting needs
.Demi permanent colors for toners and overlays

Tools Used In Highlighting:

.Color bowls
.Tint brushes
.Metal tip tail combs
.Long sectioning clips
.Professional foil-not supermarket food wrap
.Meche paper-in place of foil

The Cap: this unfortunately requires no skill and cannot produce strategically placed effects of color. This type of highlighting is limited in what it produces and can be done by your clients at home by a neighbor or friend. Although still used, the cap; is slowly finding its way out of many salons as the client demand for foil highlights increases. The skill and beauty of the limitless highlighting techniques commands top dollar in all salons that employ these techniques.

Highlighting is no more than the perfection of the single process hair-color. The same understanding of color is required with the addition of the needed skill to place the physical highlight in the hair.

Contrast Zone:

This is the most important part of the highlight. The Contrast Zone is the amount of light to dark you produce in the highlight.

It is wrong, and a misconception that all highlights are done with bleach and lifted to the lightest level.

The Contrast Zone is what you decide the level of the highlight to be. How much lift do you want?

The Contrast Zone is the contrast of color and dimension in your highlight.

The technique or placement of the foil is the architecture of the highlight. This gives you the contrast and dimension of shape.

 

Your highlight is based on contrast of color and shape.

Your choice of the Contrast Zone is based on the underlying pigment. Since most of your highlighting clients have color in their hair you will need to use a lightener/bleach of some type to lift the hair to your desired Contrast Zone.

Pigment: each natural level has an underlying pigment and each color treated level needs to fulfill these pigment requirements in order for color to properly hold.

pigment

This underlying pigment goes from deep red to pale yellow.

10 VERY LIGHT/LIGHTEST BLONDE PALE YELLOW
9 LIGHT BLONDE YELLOW
8 MEDIUM BLONDE YELLOW/ORANGE
7 DARK BLONDE ORANGE
6 LIGHT BROWN RED ORANGE
5 MEDIUM BROWN BRIGHT RED
4 DARK BROWN RED
3 VERY DARK BROWN/DARKEST BROWN DARK RED
2 BROWN/BLACK DEEP DARK RED
1 BLACK DEEP DARK RED

A good general rule of thumb based on fashion aesthetics is to have your Contrast Zone 1-3 levels lighter than the base color whether the base is natural or color treated.

Suggested Contrast Zones

BASE LEVEL HIGHLIGHT LEVEL
1 BLACK LEVEL 2-4
2 BROWN/BLACK LEVEL 3-5
3 DARKEST BROWN LEVEL 4-5
4 DARK BROWN LEVEL 5-6
5 MEDIUM BROWN LEVEL 6
6 LIGHT BROWN LEVEL 7-9
7 DARK BLONDE LEVEL 8-9 OR HIGHER
8 MEDIUM BLONDE LEVEL 9-10 OR LOWLIGHTS
9 LIGHT BLONDE LOWLIGHTS
10 VL BLONDE LOWLIGHTS

Once you achieve your desired Contrast Zone it is important to finish your work by customizing the highlight with some sort of toner or overlay.

The creation of a Contrast Zone when using lighteners/bleach leaves a raw unfinished look. The underlying pigment is not a finished result but merely the inner workings of the hair. Use your demi permanent color to add a tonal quality to the hair

Now that we are familiar with highlighting theory we will begin to explore the physical skills required.

Once you decide on the amount of sections you take, you must decide how heavy/how many highlights you want to produce.

Rules:

1. The more foil, the more highlights
2. The larger the space between foils the more pieced the look.
3. The more hair in each foil the heavier the contrast.
4. The less hair in each foil the more natural/subtler the look.
The amount of foil used, amount of hair in each foil and the space between them determines the look.

Bleeding:

Bleeding is when the foil or meche slips or product is applied higher than the foil or meche, causing product stains on areas not intended for highlights. It is not a very becoming thing and is a sign of an unsuccessful highlight.

Causes of bleeding:

Foil slippage
Product overlap
Improper foil placement
Product oozing out of top or sides of foil
To prevent bleeding:
Neat clean sections and subsections
Make sure foil or meche is secured using proper folding
Make sure your slice or weave is not too far from the scalp
Do not apply product at very top of foil or meche, leave a minimal space
Fold your foil or meche slightly higher than your placement point

The Need for Toners, Glazes and Overlays:

Once you have created your highlight and reached the desired Contrast Zone. It is important to realize that what is produced is nothing more than raw underlying pigment.

These toners are also a great way to eliminate any bleeding that may occur. Check through the sections of the client's head and apply toner where a bleeding mark is present.

This is not a finished or flattering look. What has been achieved is the pre-lightening stage of the look. You merely created the desired level of the highlight. It now requires tone!

Using a semi or demi permanent color you can produce any type of tone you and your client wish. I like to use dessert names to express the finished ideas.

Pay attention to your skin tone, eye tone, base color and life style to determine the best tonal finish.

Cool tones on warm bases are in style on lighter hair. But warm tones are always in style. Use colors that resemble cherry, chocolate, walnut, champagne, caramel etc.

Final Thoughts:

Highlighting is more than just stacking foils for the sake of putting in as many highlights as possible.

It involves the creative process as well as the practical moves in order to create a look.

Unfortunately, the most common highlighting practices involve too many foils and very over processed hair that loses all integrity.

Comments

by Janice Wilson from New York on January 9, 2010
Since more studies now
show hair dye is risky
I prefer the cap.
by becka from st louis on August 12, 2009
sometimes when I foil hair, it doesnt bleed, but it looks line a line or burn mark. I guess too much air gets in, or i get too close? i dont know what to do.
by stacey on May 17, 2009
if you were to apply any color lighter than the base color it will not affect the base, only the highlights never use anything but 10vol to tone IF you even have to use peroxide some product lines have a semi/demi line that doesnt even have a peroxide developer AND it is acid based so it will give the shine back to the lightened (maybe overprocessed) hair. Thus toning with a semi/demi is what i would recommend its quick and easy!
by angie on March 30, 2009
maria,
hi i am a lisenced cosmo in arizona and i would not recommend using any color that will lift yor base color. there are toners with "actovators" that are lower then 10 volume i would recomend thoes. they are less damaging and will not lift your base color.
by maria from tampafl.33603 on January 4, 2009
can I use hair regular hair dye with 10 oo 20 developer to make a toner,unless you where I can find a dark champagn blonde toner,which stength is correct 10
by Patsy Lamb from Georgia on October 13, 2008
What kind of shampoo should I use on my over highlighted hair? They did not use a toner on my hair. Can I buy a blonde toner and put it on without it changing my naturally dark brown hair?
Reply it(2)
by Karin MacTavish from New York on August 28, 2008
Now there is a color-coded
polyethylene cap that gives color harmonization,
less commitment and mess over the regular on scalp one-color look AT HOME.
by karrie on June 27, 2008
depending on what kind of toner you are using some have the option to lift so read carefully.. These ones have to be applied to only the highlighted pieces..
by sue from Wisconsin on May 24, 2008
I have a question...do I add the toner to the whole head...or CAREFULLY place it only on the foiled hair, which can be tricky
Thanks,
Sue
Reply it(1)

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Hair Highlights at Home
Highlights consist of selecting small or thick strands of hair that are then lightened at least 2 shades lighter than the rest of your hair. Highlights should compliment your natural or artificial color. You should never go more than 3 shades lighter then the rest of your hair color. The object of highlighting is to give you a sun-kissed look and to bring depth and light to your overall color.

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